Glenn Charles

LIFE-STYLE | TRAVEL | AERIAL

Photographer/Videographer specializing in Life Style, Travel, and Aerial Imagery.  FAA 107 Certified for sUAS flight operations throughout the US.  Fully insured.  Videography work is limited to Aerial productions.

Based in Maine (May-December) and SWFL (Jan - April). Available for travel year round.

An ode to TMAX

It was my favorite film to shoot during 'those' days.  I don't know why, maybe the grain structure or the big dark contrast, or the way the blacks could really block up on you adding to that intense contrast .... I may actually never know, but in any event the TMAX look very much influenced the way I see B&W. 

With B&W I can focus on blacks and whites and shades of gray, structure, form, shapes and subtleties.  It becomes easier for me to tell the view exactly what it was that I saw and therefore, hopefully, easier for them to see what I saw. These 4 images from yesterday, developed in SEP using the TMAX filter and some of my own adjustments, were captured during my winter ride. 

I brought the trusty Trangia with just enough denatured alcohol to warm up my Snow Peak TI pots and make a lovely cup of tea.  It wasn't cold, but instead raw from the moisture in the air.  Having a cup of tea as I sat overlooking the water was a fitting way to end the day.

Warmth in the cold Winter

A rare break from the Cold winter allowed us to get out on the beach for a ride in our late fall clothes.  Warm air was a cruel reminder that we still have 2-3 months left of old man winter.

I purposefully shot directly into the sun using a 6 stop ND filter to give me the silhouetted images that added some impact to the lovely, but relatively flat light. The first shot shows how things looked with the sun coming over my shoulder.  Nice, but not quite as dramatic as I was going for as can be seen in the last two silhouettes.

Monochrome Detail

There is a lot of chatter about how the Leica Monochrome files come out of the camera 'Flat'.  I would tend to agree that the DNG default curve applied to these files is definitely of a linear nature.  However, I have found two things while working with these files for the past month.  First, they are very, very workable, either in LR alone or a combination of LR and Silver Effex Pro.  Second, the amount of detail in these files, especially in the shadow areas is nothing short of amazing.

Here is a before and after image with the before file representing my standard MM Lightroom Import settings.  A small amount of contrast, a slight curve, clarity and sharpening are all applied on import.  From there I do my basic adjustments in the LR development module and then import the files into SEP where I have tremendous control over the entire B&W file.

File as imported into Lightroom w/base adjustments applied

 

Processed in Lightroom and Silver Effex Pro

Fresh Snow, Ice, & Sand

Finally, a chance to get out, clear my head, and do some riding.  I love how the snow reaches down to the ocean, wiped away a bit more each day with the ebb and flow of the tide.  A great place to ride you can easily dance between the snow and the sand, pick your poison, enjoy what you want.

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The 35 Lux arrived yesterday and I can already see why this is the most popular FOV on a rangefinder.  It just fits!, really very nice.  The sun was out, and trying to shoot wide open required the new B&W ND filters.  A 3 stop was not enough so I resorted to the 6 stop.  It is nice that you can stack them if needed. 

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This was really the first chance at getting out and riding with the Monochrome.  I think the weight & bulk is perfect for the bike.  These are just quick snaps, nothing special, but boy, I do love this setup!  Carried the gear today in the Lowepro 10L bag.  Overkill, but very nice with how it swings around your body and creates a bit of working space for switching lenses, installing filters, or cleaning gear.  I took one small spill and the pack protected everything just fine.

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Beast of the Night

Christmas day, enjoying small town friends

Never before have I had a camera that screamed, that demanded, that absolutely had to be shot when the lights start going down.  The Monochrome is simply a beast of the night.  It is not just how it deals with high ISO images, but the way the sensor reacts to the strong contrast that is night time.  The images, with virtually no adjustments at all, just seem to pop off the page.  I can't wait to get some prints done as I believe they are simply going to blow me away.

Lit by the light of the fire and two small spots

Adventure by Bike - 2014 Catalog

Salsa Cycles 2014 Catalog - Cover Image from my Alaska Expedition

Salsa Cycles 2014 Catalog - Cover Image from my Alaska Expedition

This came in the mail the other day. Not only a fantastic catalog, but also some really tremendous photography. Very proud to have some of my images in the 2014 Salsa Cycles catalog, including that awesome cover shot from this past winter in Alaska . To all all those who work tirelessly for Adventure by Bike, I wish you and your families a very Merry Christmas and Happy Holidays

Salsa Cycles 2014 Catalog - Images from my AK, Morocco, and Gaspe' trips

Salsa Cycles 2014 Catalog - Images from my AK, Morocco, and Gaspe' trips