Glenn Charles

LIFE-STYLE | TRAVEL | AERIAL

Photographer/Videographer specializing in Life Style, Travel, and Aerial Imagery.  FAA 107 Certified for sUAS flight operations throughout the US.  Fully insured.  Videography work is limited to Aerial productions.

Based in Maine (May-December) and SWFL (Jan - April). Available for travel year round.

Filtering by Tag: Nikon

A bit of a circle

About 18 months ago I decided to give really small cameras a try.  I bought a Fuji X100s and rented the Fuji XE-1 along with two lenses.  I used that kit to photograph the Lost Coast, a story that has been one of my most popular ever and will be featured in a magazine this spring.  

While I enjoyed the size and weight of this kit, and felt the images were good, they still did not give me what I was personally looking for when my goal is to tell a story via the web and have the ability to print large.  At that time, I felt that the Fuji kit was nice, but just not up to the task, so I divested myself of the little X100s and moved on.

Fast forward to 2015, and one could argue that Fuji is on a roll, with big names jumping on their bandwagon and a host of my good friends signing up as well.  Since that Lost Coast trip I have seen one of my X100s images printed wall size by the wizards at Dugall which again reminded me that today's cameras have plenty of oomph to do just about anything we want of them.  

Still, I believe it is important to feel a connection to your gear, something that transcends simply taking photographs.  At least for me, this is an important element to my photography. So here we are, and I have now picked up a little Fuji X100T to be my 'grab' camera for my next two trips.  I have 3 weeks biking through Ireland, an environment full of spring time color and great old textures.  This will be a wonderful palette to play with the little Fuji.  Of course, it will not be my primary tool -- that task will belong to the Leica M240 and a 35/50 Summilux combination.  

Next, 2 days after returning from Ireland, I head to Alaska for 3 weeks of deep winter cycling through the barren AK interior.  A region known for white and shadows, dancing night lights and temperatures that will reach -30F at night.  An environment that is hostile towards people and electronics.  For that trip, I will again rely on the little X100T as a grab camera alongside my trusty Nikon D810.  

My last trip to Alaska I used a D800E for two months with much success.  I came back with images that to this day blow me away.  They have graced the covers of Salsa's catalogs; are all over their website; and are blown up life size in their traveling display.  The quality and image size of the D800 along with the large lithium batteries will be key to dealing with the environment of Alaska winter.  

This is not too say that a Fuji couldn't, but I am not prepared to make to big a jump as of yet.  So I consider these two trips as my attempt at dipping one of my toes back into the land of Fuji to see if the X series can appeal to my photographic needs.  Follow along as the X100T and its wireless capabilities should get a tremendous amount of action on my Instagram and Twitter feeds.  I will follow up after the trip with some of my thoughts on how this gear selection worked out and where I see myself going in the future.

Remaining Gear For Sale

The holidays are approaching and I have my own little 'Post Black Friday' sale taking place.  Still on the block are two of my favorite pieces of Zeiss Glass.  If you are looking for beautiful lenses at an amazing savings off of retail, then look no further:

  • Zeiss 2/100 ZF.2 - Body 8, Lens 9 $1400 OBO SOLD
  • Zeiss 2/50 ZF.2 - Body 9, Lens 9+ $1000

Email for pics and more details.

Making the switch

As with all things in life, sometimes you just have to listen to your gut and go with it, even if it may not make logical sense.. With that said, I have decided to commit myself to a year long trial of the Leica M system as my primary image making tool.  I have long thought about this switch, but I was so wedded to my love of all things Nikon, that I could not bring myself to do it.  Now, I feel with the way I am shooting, methodically and focused and my love of MF glass, that the M system is simply a better match for me than the AF world of Nikon.  Unfortunately, renting kit for a week is just not enough time to really commit and to learn, so I will jump in with both feet and see how this plays out.

Thus, I am putting up my entire Nikon/Zeiss collection for sale.  Please email me for pics and more details.  All gear has been well taken care of and has no issues other than cosmetics. Reasonable offers will be accepted and discounts will be applied for bundling components. 

For sale is the following:

  • Nikon D800E - 8+ ($2250) SOLD
  • Zeiss 100/2 Makro Planar - Glass 9, Body 8 ($1400)
  • Zeiss 21/2,8 Distagon - Glass 9, Body 8+ ($1300) (SOLD)
  • RRS L Bracket - Included with D800E body SOLD
  • Zeiss Polarizing Filter for the 100 and for the 21 (Included with each respective lens)

 

Nikon Coolpix A

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There have not been a ton of glowing reviews on this camera so far, with most people feeling that Nikon was late to the game and a little short in delivery. However, Ming Thein just posted his review, and while he has issues with the usability of the camera, he appears to be blown away by the IQ from the sensor/lens combo, comparing it to results from the Leica M9/ 28/2.8 ASPH or 28/2 ASPH combinations.  Pretty impressive for a camera/lens combo that cost thousands of dollars less than the Leica combo. 

Because I am looking for something that is incredibly pocketable, think fit in my bike jersey pocket, the Coolpix really had me excited when it was announced.  With Ming's reviews, I think I will have to rent one and check it out for myself.​

Check out his review here:

Available at Amazon:

1,000 Miles Across Alaska - My Photo Kit

Life is full of trade offs and the same applies to traveling with photography gear. Questions like do I go ultra light? What camera will give me the best image quality?  How will I carry my gear in a safe and accessible manner?  All of these questions are key elements in choosing what camera gear will accompany me on each of my trips. Once gear is chosen the questions of processing, sharing and backing up, not too mention power, need to be addressed. For my Alaska trip, everything became more complicated by the fact that I would be traveling by bike, in the middle of winter, across south central Alaska, with incredible photographic opportunities at hand.

I am now 4 years and more than 17,000 miles into this little adventure of mine and my entire photographic thought process continues to evolve. I have traveled with multiple DSLRs and a wide selection of lenses by kayak and gone uber light with nothing more than an NEX and two lenses on a bike.  While the smaller cameras and their lenses are getting better every year I have still yet to find a small solution that matches the quality of my Nikon bodies and my Zeiss MF lenses (barring a $40K investment in a Leica M9 and Leica Glass, something I am happy to do should Leica wish to make a small donation…). At the end of each and every trip where I have opted to not bring my larger bodies and lenses, I have been disappointed with the overall IQ of what I captured.

With those memories in mind I opted to bring a large kit for this trip. I knew that I was going to experience some stunning locations and vistas, and I wanted to capture those scenes in as much detail as possible.  I knew that I would be happy with nothing less than my best gear, even if it meant going heavy.

My camera kit included:

   * Nikon D800e
   * Zeiss 21 2,8
   * Zeiss 50 1,4
   * Zeiss 100 1,4
   * NEX -7 with 50 1,8
   * 2 Nikon batteries
   * 4 NEX batteries
   * Beat up Gitzo  carbon fiber tripod with RRS ball head

I used the D800 for the majority of my shots with the NEX picking up the slack as a sort of quick draw camera for snapshots.  The Zeiss glass, as you may know, is simply stunning. I have shot some of Nikons finest lenses and for me, there is a magic in the Zeiss glass that does not exist in most of Nikons lineup. The exception for me would be the stunning 200 2,0 but that is a beast of a lens with very specific application. The Zeiss lenses are simply works of art, fashioned out of medal with a smooth, almost buttery, focus throw.  They are still adorned with good old fashion
 f-stop and dof markings. The weight of these lenses balances very nicely with the medium weight of the D800, making the combination a very hand holdable kit.


An advantage to shooting the Zeiss glass is that the manual focus lenses draw no power from the camera. I remember when I first got the lenses being amazed at how long a single battery lasted. As you can imagine, in the winter of Alaska, power management is a huge issue. The Zeiss lenses did exactly as I hoped and the two batteries were only recharged once in two months of shooting.

One of the challenges with this setup is that I do not like to carry backpacks when riding a bike. This meant I had to figure out a way to carry a base camera weight (Nikon + Zeiss) of 6.6lbs, plus all the other photographic kit on a bike in a manner that would both protect the gear from the elements and provide me with quick access.  I hate to say it, but this whole issue is still a work in progress for me as I found no real good solution.

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I worked out a system that used a very old Arc'teryx hip pack strapped to my handlebars.  This pack carried the D800 with one lens attached and one other lens stored in the bag. My third lens was stored in my frame bag. The little makeshift camera bag has waterproof fabric and zippers which provided a basic level of protection. I wrapped each lens in a zip lock bag and used a large turkey roasting bag to protect the camera.  Those turkey bags are big, and very tough, not too mention cheap. 

I stored the NEX, lens down, in the water bottle pockets on the side of the pack. It was always wrapped in some form of plastic bag. My favorite general purpose bag is the kind you get in the bulk food isle.  They cost nothing, are large and are reasonably durable. When I needed to carry the camera off bike I used my favorite piece of UL kit, the Sea to Summit sil nylon backpack. It weighs 2 ounces and stuffs the size of two golf balls. 

Now that I had sorted a way to carry my gear I had to find a way to process and share images.  Typically I would carry my MacBook Air, but I did not want to do that on this trip.  The elements were going to be extreme, and I was unclear of my route. I could not afford to have anything happen to that computer, so I opted to go the tablet route, choosing the basic ipad mini.  Having never owned a tablet before, this would prove to be a very frustrating choice.  While there a clearly lots of apps out there for photos, I was unable to find anything that solved all of my issues.  Instead I was forced to cobble together a workflow that allowed me to import images, do basic adjustments, including black and white conversions, and then distribute the images to social media.  Here was my basic workflow:

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The D800 allows you to shoot to both a CF card an SD card.  In addition, it allows you to shoot Raw to the CF card and jpegs of varying  sizes to the SD card.  This allowed me to keep one 16gb SD card in the camera the entire time as a sort of simple backup, while shooting to over 20 CF cards.  I had no ability to backup anything other than the small jpegs I was shooting on the SD card which were dumped to the iPad mini on a selective basis.

When I had the opportunity to do some edits, I would remove the CF card from the camera and then connect the camera to the Ipad mini via the USB connection kit.  I did this so that I was using the camera battery to power the USB connection instead of the opposite.  Using the native photo app on the iPad, I selected specific images to import.  Once the images were imported, the real challenges began.  Because I had decided that Google Snapspeed app provided the best image editing capabilities I had to find a very simplistic way to do my 'selects'.  Obviously what I wanted to do was go through images, choose the ones to edit, and then edit them. However, the choice of Snapspeed forced me to work in what I would call a very kludge way.

Basically, I would go into the photo app and begin looking at images.  Once I found the one to edit I would switch back to Snapspeed and use their horrible image selection tool to find the image that I wanted to edit.  i dont for the life of me understand why they have not changed this as it is clearly intended for a phone where their is minimal real estate on the screen.  The size of the thumbnails is ridiculously small forcing me to switch back and forth in an effort to find the correct image. Once the image is selected I loved everything about the app.  The adjustment tools, including selective adjustment, are fantastic and intuitive. The B&W conversions and one or two other filters provided me with all that I needed.

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Working off of these small jpegs, adjustments were very quick. Once complete, Snapspeed saves the images to a Snapspeed album. I could find no way to change this, which forced me to then go back to the edited images, using the native photo app to create a separate album containing my edited collection. That felt like a huge run on sentence which fittingly highlights the difficulty in making this work. In the end I was able to cobble it all together.  Once I had a selection of images processed I could use  the native sharing feature of the photo app to get images to Facebook and Twitter.  The new Flickr app handled my Flickr stream and the Squarespace app allowed me to upload images to my website. For additional backup I would FTP images to my Photoshelter account.

Import and Edit:

Connect Camera to Tablet -> Import Images using 'Photo' app -> Identify Image to Edit -> Switch to Snapspeed -> Find Image, Edit, Save -> Switch back to Photo App and repeat until edits are done

Once edits are done:

Open Photo App -> Select Edited Images in Snapspeed Album -> Create New Album -> Switch to New Album -> Share using Photo App, Squarespace App, Flickr App

Dearest Adobe, please introduce a tablet version of Lightroom!!


It was not pretty, but it worked and I accomplished my goals.  Would I do things the same way again? Well I don't know.  The weight of an 11" MacBook Air is really only marginally more than the tablet with tremendously more functionality. The bigger issue is the space it requires and the potential cost of replacement which must be weighed against the difficulty of stringing together a tablet based workflow.  I look forward to doing some more app evaluations to see what I missed.  With rumors of the new full size iPad having a significant reduction in weight and size, that could be the compromise solution, especially when paired with a lightweight keyboard.  While that combination would approach the weight of a Air, the cost of damaging it is significantly less.

Cameras and the holy grail of size, weight and image quality:

If I won the lottery I would buy a Leica and 3 lenses and call it a day. Until that happens I will continue to search for ways to optimize carrying my D800 and the 3 Zeiss primes. This summer I am going to take some time and evaluate a number of new cameras, including the Fuji X line and the Sony RX1. I also believe that this year we will see a full frame NEX camera which I believe is going to really shake things up.  The fact that Zeiss has committed to producing three new lenses for the E and X mounts is wonderful news. I loved the NEX 7 but was dissatisfied with the state of E mount lenses. If Zeiss really gets the new glass out and Sony and Fuji continue  pushing the bounds of small bodies, one of those will very likely become my UL travel kit.

For now I will just keep exploring and sharing. If you have questions or suggestions please let me know.

Cheers,
Glenn

London Adventure Show

I have a small image gallery of cool bikes and bike gear over on my Flickr page that I saw at the London Adventure Show this past week.  There were some amazing bikes, like the Salsa Mukluk; cool lighting systems, like those from Exposure; innovative folding bikes from Pacific; and beautiful eye candy from Chris King; and more carbon bikes than I care to think about.

I have had the luxury of using the Exposure lights and can tell you they are amazing.  I will be adding more of these to my kit for the upcoming winter bike expeditions and will be doing an entire write up on how amazing this kit is.  If you look at the picture of the Exposure Six Pack mounted on the Salsa Mukluk you will see they make a perfect match for one another.

Lastly, cameras, cameras, cameras... This is such a crazy time for photographers, especially those who travel and travel light.  I have been using my NEX-5 for the past year and it has really served me well.  To remember what life was like behind a DSLR, I borrowed a Nikon D300s and mounted a vintage Nikon 50 1.8, MF lens and shot away. 

Two things really hit me.  First was just how much I prefer looking through a viewfinder.  It is a way of seeing that just connects my brain to my eye and then to the camera.  I really do miss that connection.  Second, well one word, Brokeh.  Boy do I love shooting shallow depth of field and seeing what comes out.  It is amazing how the character of a lens, shot at shallow depth of field with interesting light, can create art out of nothing.  The tire shot is a great example, with both the foreground and background deeply blurred, leaving nothing but some of the tread in focus. 

Wow, now I have a real problem and I pity my friend who may have a hard time getting his D300s back. I have been patiently waiting to see if the NEX-7 solves this problem for me, but the delays in distribution have made me really second guess my desire to stick with the NEX line.  Great camera but there are other options.  I think in a perfect world I would switch to the Nikon V1 for my portable setup, and augment that with a used D700 or even a used D3s.  This would provide me an ultra-light alternative capable of capturing stills, video, and some action -- and a more robust solution for landscape and heavy duty sports/wildlife imagery. 

Time will tell how this all plays out, for now, off to buy a lottery ticket and see what happens.

Test Driving the new Nikon V1

I have seen the future and it lies somewhere within the new Nikon V1.  This is a very exciting time in the world of photography as we are seeing rapid advances in image processing combined with the reduction of camera sizes.  The new ILC (Interchangeable Lens Cameras), from Nikon (V1/J1), Sony (NEX Series), Olympus (Pen), ... are rapidly changing the face of photography.  We are seeing a movement up from typical point and shoots with regards to capabilities and IQ and a down sizing in form factor from the giant SLRs of old.

As many of you know, I switched a year ago from my Nikon D2X bodies and gigantic lenses to a Sony NEX-5 setup with two small kit lenses.  I made this move partly out of necessity and partly because I saw the impracticality of carrying big bodies and big lenses as I travelled by kayak and bike.  After more than 13,000 images shot with my little NEX system, I don't ever see going back to large bodies other than for very specific situations.  That is not to say that these systems don't have issues, which they do, running the gamut from a lack of high quality lenses to no view-finders and a minimal amount of on camera customization and smaller sensors, something that we can argue all day about without coming to a consensus.

That was however a year ago, and not today.  In the span of a year, we have seen a huge amount of growth in the ILC camera market.  Sony has replaced the NEX-5 with the NEX-5N and the soon to be delivered NEX-7, all with the addition of an EVF and more flexibility in how the systems can be customized, not to mention the move to a 16 and 24 megapixel sensor.  The release of the Fuji X100 and the new X10 along with leaked pictures of the next Fuji have shown that innovation is continuing at a rapid pace.  Both Olympus and Panasonic are moving forward with Canon still sitting on the sidelines.  Which all brings us to the new Nikon 1 system offerings.

When announced months ago, the system was largely trashed by the media and the blogging world for a lack of innovation and a horribly small sensor compared to the direction in which the M 4/3's camp, Sony, and Fuji were moving.  All of these companies were trying to get a larger sensor in a smaller body, a direction that pleased enthusiasts all over, especially those convinced that the only way a camera could produce a good image was if it had a 'Full Frame' sensor.  Well, Nikon chose a different path, and now that these cameras are in the stores and in the hands of real users, the feedback is rapidly starting to change.  Perhaps these little cameras with their little sensors, have a place in the hands of photographers after all?

I first became really intrigued by the V1 system after reading Rob Gailbraith's review of the unit.  I have been a longtime follower of Rob's and trust his opinion greatly.  He is a pro interested in the tools that allow him to do his trade.  Like all professionals, rarely is there one tool that does everything well, thus we all usually have multiple tools, and for him, the V1 fit a certain niche.  Then came the review by Kirk Tuck, not only a great review, but a blog that I absolutely love reading each and every day.  Kirk started by posting his thoughts and his images that were simply blowing me away.  The final straw came after Steve Huff posted his review, titled "The Camera I Expected to Hate", which again had mostly great things to say about this new system offering from Nikon.

The combination of these three reviews had me very much intrigued about the 1 system and what Nikon had been up to for the last 4 years, the amount of time they claim to have spent developing the new line of 1 cameras.  As a long time Nikon pro user, it pained me to get rid of my Nikon gear, so the thought of being able to migrate back to the world of Nikon really excited me.  Nikon never does anything fast, and it was clear with the 1 system that they had taken their time and really attempted to create something new and innovative.  They were clearly looking to create an ILC ecosystem that had all of the parts and pieces needed by the enthusiast to put together a complete kit that could cover their needs.

The cornerstone of the system is the Nikon V1 body with 4 lenses and a series of accessories.  For a full review you should check out Steve Huff's site as he really spent a good deal of time with the body and lenses.  I have not had the chance to spend more than an hour with the system, but I am very impressed by this little unit.  The first thing you notice when you pick up the camera is the heft and build of the V1.  This is in stark contrast to the plastic and lightweight feel of my Sony NEX.  This camera feels solid and built to last, almost as if it were built from a solid block of metal.  The feel and balance in your hands is really something to hold and very organic in nature.  In a word, it really has a sublime feel to it.

Next up is the quality of the 4 lenses, the 10mm, 10-30mm, and the 30-110 and the video optimized 10-100.  The lenses all feel solid and well built with a minimum of play when zoomed out.  I love that each of them has a retract lock, making for safe storage of the lenses when the camera is turned off.  The V1, with the professionally built 10-100 mounted is definitely a hefty combination.  This lens has been optimized for video and uses a rocker switch on the end of the lens to zoom in and out.  The feel of this lens was really amazing.  I spent over an hour playing with the camera and all 4 lenses.  They were all well built and mounted very nicely to the V1 I was testing.

The really amazing part for me was the speed with wich this little camera worked.  Using the beautiful EVF, a first for me, was like finding nirvana in the small camera world.  My biggest issue with my Sony NEX has been the need to shoot at arms length using the rear LCD.  While there are times when I love shooting that way, most noticeably from a low angle, the rest of the time I despise it.  I feel that it keeps me completely disconnected from the image that I am trying to capture.  Somehow, looking through a view finder creates an intimate connection between my eye and the scene at large, making it much easier for me to capture what my 'brain' is seeing.  With the V1 I was suddenly able to look through a stunning electronic viewfinder and not only see what I was shooting, but I could also see all of the controls that I might want to manipulate. 

The bright and very responsive EVF allowed me to see my shutter speed or aperture adjustments along with any type of EV compensation or other camera adjustment I might be making.  One of the dings on the 1 series is the lack of professional adjustment buttons that you might find on larger SLR's or on the new Sony NEX-7 camera.  I have to say this is true, but.... I found that within the hour, I was able to keep my eye on the EVF and manipulate everything that I wanted without looking away.  This included changing basic settings; moving the focus point around; adjusting EV compensation; switching from an electronic shutter to a manual shutter; etc.  I am sure that there are adjustments that I could not get to without looking away, but for the most part, I was amazed at what I could do and with the overal ergonomics of the system.

Lastly, the speed of auto focus and shooting was nothing other than mind blowing.  I was inside, set the ISO to 3200 so I could get some reasonable shutter speed and just fired.  This thing just kept shooting, with no lag at all, and I was shooting RAW!!  For someone trying to shoot rapidly moving objects like pets or kids, and I would imagine some sports (not the pro type but family sports), this is an amazing little camera.  I can tell you that with my NEX-5 the buffer fills up so quickly that rapid shooting is all but impossible.  I know that with the NEX-5n Sony has fixed some of this, but I have not yet had the opportunity to really test out a 5n. 

The speed of shooting and the rapid auto focus is what makes this camera a real game changer. Combine that with what reviewers are saying about the metering, which is to say it is almost always spot on, and you have a small compact camera, with a bright EVF, that can shoot RAW files at amazing rates and never slow down.  It is really a great day for people looking to just take great pictures without having to lug around a 2 pound DSLR and 5 pounds of lenses.  Needless to say I am quite excited about what Nikon has created and what this means for the future of Nikon's pro line of cameras.

With any system, it is never all good, and that is true of the V1.  While I loved much about the camera, there are a few things that I was disappointed in.  Some of these I am sure Nikon can fix with firmware updates, while others will have to wait for the next iteration of the camera.  The things that I did not like are:

  • No articulating rear screen.  A year ago I would never have believed that this could be any type of issue for me, but a year of shooting my NEX with it's beautiful little hinged screen has changed my shooting habits.  For ME, I shoot a lot from very low angles and this is where a articulating screen really comes in handy.  I have heard people say that the V1 screen is so nice that it can be seen from all angles, which may be true, but when you are shooting at ground level, it is nice to not have to lie on the ground.  This is an issue that may or may not be fixed in future models
  • The EVF has a slight delay when the camera is brought up to the eye.  Funny enough but the new Sony A77 had the same issue when it first came out and the problem was largely resolved through a firmware update so I am optimistic that this will become a non-issue in the near future.
  • The camera wants to always replay the last image shot through the EVF.  This is not an issue as long as you are holding down the shutter, but as soon as you let up on the shutter, you are forced to endure a period where you are looking at the last image shot and not the scene in front of you.  This became quickly annoying as I would shoot a frame or two and go to recompose only to find that I had to wait for the EVF to come back alive.  I am optimistic that this will be fixed in a firmware update.
  • It would be nice to add flexibility in how the buttons on the back of the camera are used.  Specifically the rocker switch located on the upper right side of the camera.  If this switch can simply become user customizable then a big step will have been taken to making the camera more user customizeable.
  • I wish that the movement of the focus indicator was separate from the back rocker switch.  I would have personally preferred a dedicated rocker for movement of the focus indicator, but I also recognize that there is no real-estate to make this change, so this is something I just have to live with.

 

My list of negatives is not long, but for me they may be enough to keep me from switching over.  The lack of the articulating screen is really the one that I have to think long and hard about, as that capability has really helped me out with a very specific style of shooting that I perform.  Other than that, everything else can be fixed.  The fact that Nikon has created an entire new system,  one that will have additional primes and accessories added in the near future, makes it a very appealing to me.  Nikon has always known photography, and they have always known photographers.  While they are never the fastest to market, when they do arrive, it is generally a well thought out product, at least in the line of professional bodies.

So this brings us to the final point, who is this camera for?  It is clearly not a professional body, but then again, it is not a typical P&S either.  Is it for the enthusiast or advanced amateur, or possibly the pro looking for the perfect small camera system to supplement their larger DSLR's?  I don't know the answer, but what I do know is a year with the NEX system combined with the ever changing world of photography has told me that the day of needing a large DSLR with large lenses to capture stunning and USEABLE images is over. 

Having the ability to carry a small camera with a small group of lenses as I travel the world is what interests me.  I want to use my tools to tell stories and for me that means having a camera on me at all times, taking pictures and sharing them with others.  The new series of ILC cameras is incredibly exciting and offers up a world of promise for both professional and amateur photographers alike.  Kudos to Nikon for taking the time to create a system that matches their vision of this new breed of photography.  Time will tell if the 1 system is successful as there is stiff competition from the likes of Sony, Olympus, and Fuji.  With that said, I am personally very excited about this camera and look forward to spending some more time with it evaluating the IQ and the overall usability. 

 

You can help me support my site and my adventure travels by using my Amazon links to purchase your camera gear.  These links cost you nothing while helping to make it possible for me to share my travels and images with you.  Thanks for reading and for your support.

Nikon 1 V1 10.1 MP HD Digital Camera System with 10-30mm VR 1 NIKKOR Lens

 

 

August 24th - Rapidly Approaching

August 24th is set to be a major milestone for adventure photography professionals and amateur's alike.  Both Sony and Nikon are set to announce minor and major updates to their product lines.  Sony will supposedly release the new NEX-5n and the more professional oriented Sony NEX-7, an outgrowth of the hugely successful NEX-3/NEX-5 line.  I have been using a NEX-5 for the past 10 months to document my bike around America adventures and have become a huge fan of the camera, it's size, and the outstanding image quality. The rumored updates to the camera lineup and the E Mount lenses is quite exciting.

Nikon on the other hand is rumored to finally be replacing the D700 with an all new D800.  The rumored specs on this are quite exciting as the D700, which is Nikon's smaller sized full frame body has been a huge success.  If only half the rumors are true, this body will be a great addition to those looking for a full frame sensor in a smaller physical package.   The rumor mill is also speculating on a new Nikon mirrorless camera and a resurgence of Nikon's Nikonos underwater line.  To date the Nikon Coolpix cameras have stayed out of the ruggedized/waterproof market.  It will be good to see Nikon enter this category of P&S bodies.