Glenn Charles

LIFE-STYLE | TRAVEL | AERIAL

Photographer/Videographer specializing in Life Style, Travel, and Aerial Imagery.  FAA 107 Certified for sUAS flight operations throughout the US.  Fully insured.  Videography work is limited to Aerial productions.

Based in Maine (May-December) and SWFL (Jan - April). Available for travel year round.

Filtering by Category: Leica Photography

Monochrome Detail

There is a lot of chatter about how the Leica Monochrome files come out of the camera 'Flat'.  I would tend to agree that the DNG default curve applied to these files is definitely of a linear nature.  However, I have found two things while working with these files for the past month.  First, they are very, very workable, either in LR alone or a combination of LR and Silver Effex Pro.  Second, the amount of detail in these files, especially in the shadow areas is nothing short of amazing.

Here is a before and after image with the before file representing my standard MM Lightroom Import settings.  A small amount of contrast, a slight curve, clarity and sharpening are all applied on import.  From there I do my basic adjustments in the LR development module and then import the files into SEP where I have tremendous control over the entire B&W file.

File as imported into Lightroom w/base adjustments applied

 

Processed in Lightroom and Silver Effex Pro

Slowing Down

Click through and read the text...

The camera, a week in my hands, and I am in love.  Their are warts for sure, but all in all it is a joy to use. I can't remember having said this about any camera in recent memory.  I ran across an old ad for the Leica M4, and the words, while not totally accurate for today's modern M, certainly rung true to my ears. 

More than anything, the camera makes you focus, slow down, and think.  None of which are a bad thing unless you are a sports photographer, in which case, fire away (no disrespect intended as I love shooting sports as well).  With the Monochrome, I am challenged to see and think my way through an image or through a scene.  Simply pointing and shooting is no longer possible.

I am totally taken back to the days of shooting chrome where I spent all of my time looking for shapes and lines and evaluating colors and luminance, working all the while to think in terms of zones...  For some, in this modern age, that is just too much work.  For me, short of the focusing issues I am working through, it is a godsend. Their is an indescribable Organic feel to the camera.  Its weight, form and function, all feel like a camera.  I don't have to touch the menus and when looking through the view finder, I am simply presented with my subject, the shutter speed, an indication if I am below my 'auto iso' preset (in the form of a flashing shutter speed) and a small dot that indicates I have locked my exposure.  Nothing more is needed.  If I blow out the highlights, well, it was my fault, not the camera.

There is nothing else there, nothing else to confuse or mess with my mind.  I am simply focused on the task at hand -- capturing the image that my mind has already seen unfolding in front of me.  The camera, well, it feels like a camera and acts like a camera.  I can see where for some, it is too minimalist, but for me, not so much.

These past few days have been challenging on a very personal front, and I found the Monochrome to be the perfect tool for the job.  Unobtrusive, relatively quiet, and capable of performing in a variety of conditions.  I will share some of those images tomorrow, but for now, I sit, drink a glass of wine, and contemplate how lucky a man I am.

ISO 320, f/1,7 -- Handheld

Learning to focus all over again

So far, the most challenging aspect of shooting the Monochrome is not the B&W or the exposure, but instead learning to focus, especially in low light  Focus in the dark and focus on small objects like eyes, is currently my biggest challenge.  This shot, in a dimly lit restaurant has tons of shadow area with good detail that I was able to lighten up, making it a usable image